{"id":1136,"date":"2023-12-07T20:28:41","date_gmt":"2023-12-07T20:28:41","guid":{"rendered":"http:\/\/unyolo.com\/?p=1136"},"modified":"2023-12-07T20:28:45","modified_gmt":"2023-12-07T20:28:45","slug":"","status":"publish","type":"post","link":"https:\/\/unyolo.com\/es\/wonka\/","title":{"rendered":"\"Wonka\"","raw":"\"Wonka\""},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>&#8220;Wonka&#8221; (2023)<\/strong><\/p>\n\n\n\n<div class=\"wp-block-ideabox-star-rating ib-star-rating-block\"><div class=\"ib-star-rating--title\" style=\"color:#000;margin-right:1px\"><\/div><div class=\"ib-star-rating--icon\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star-half-alt\" class=\"svg-inline--fa fa-star-half-alt fa-w-17 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 536 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M508.55 171.51L362.18 150.2 296.77 17.81C290.89 5.98 279.42 0 267.95 0c-11.4 0-22.79 5.9-28.69 17.81l-65.43 132.38-146.38 21.29c-26.25 3.8-36.77 36.09-17.74 54.59l105.89 103-25.06 145.48C86.98 495.33 103.57 512 122.15 512c4.93 0 10-1.17 14.87-3.75l130.95-68.68 130.94 68.7c4.86 2.55 9.92 3.71 14.83 3.71 18.6 0 35.22-16.61 31.66-37.4l-25.03-145.49 105.91-102.98c19.04-18.5 8.52-50.8-17.73-54.6zm-121.74 123.2l-18.12 17.62 4.28 24.88 19.52 113.45-102.13-53.59-22.38-11.74.03-317.19 51.03 103.29 11.18 22.63 25.01 3.64 114.23 16.63-82.65 80.38z\"><\/path><\/svg><\/div><\/div>\n\n\n\n<p><br>Cuando escuch\u00e9 por primera vez sobre la idea de una precuela de &#8220;Charlie y la F\u00e1brica de Chocolate&#8221;, adentr\u00e1ndose en los primeros a\u00f1os de Willy Wonka, estaba esc\u00e9ptico. Los flashbacks en la versi\u00f3n de Tim Burton dejaron un sabor amargo, y la idea de volver al pasado de Wonka no me convenc\u00eda. Sin embargo, mi perspectiva dio un giro completo cuando Paul King, el genio detr\u00e1s de Paddington 1 y 2, entr\u00f3 en escena.<\/p>\n\n\n\n<p>Timoth\u00e9e Chalamet como protagonista levant\u00f3 una ceja para m\u00ed, y los tr\u00e1ilers parec\u00edan confirmar mis dudas. Sin embargo, al salir del cine, me encontr\u00e9 incr\u00e9dulo de cu\u00e1nto ador\u00e9 esta pel\u00edcula.<\/p>\n\n\n\n<p>&#8220;Wonka&#8221; result\u00f3 ser una de las pel\u00edculas m\u00e1s agradables que he experimentado este a\u00f1o. Acepta la extra\u00f1eza del material de origen, h\u00e1bilmente mezclada con coraz\u00f3n\u2014la marca de la magia directorial de Paul King evidente en cada escena.<\/p>\n\n\n\n<p>Chalamet, para su cr\u00e9dito, captur\u00f3 la esencia del personaje sin sumergirse en el territorio &#8220;espeluznante&#8221;. Canaliza h\u00e1bilmente rasgos reminiscentes de la versi\u00f3n de Gene Wilder, al tiempo que muestra un lado de Chalamet que nunca hab\u00edamos visto antes\u2014un cl\u00e1sico actor de Hollywood que canta, baila, hace chistes y provoca l\u00e1grimas genuinas en la audiencia. Esto es un paso extremo fuera de su zona de confort, especialmente cuando sus pel\u00edculas recientes como Beautiful Boy y Bones and All son completamente opuestas en cuanto a g\u00e9nero y tema.<\/p>\n\n\n\n<p>La qu\u00edmica entre Chalamet y Calah Lane, quien interpreta a Noodle, destaca como un punto alto. La pel\u00edcula se centra m\u00e1s en su conexi\u00f3n que en c\u00f3mo Willy se convirti\u00f3 en Wonka, a diferencia de lo que nos hizo creer el marketing.<\/p>\n\n\n\n<p>El elenco de apoyo ofrece actuaciones excepcionales, poniendo sus almas en la pel\u00edcula. Hugh Grant, a pesar del tiempo limitado en pantalla, roba cada escena, haciendo que incluso los cr\u00e9ditos finales valgan la pena. Aunque la representaci\u00f3n visual de los Oompa Loompas puede no ser del gusto de todos, la energ\u00eda contagiosa de Grant eclipsa cualquier reserva inicial.<\/p>\n\n\n\n<p>T\u00e9cnicamente, la pel\u00edcula es una obra de arte. La cinematograf\u00eda de Jeong Jeong-hun, inicialmente una elecci\u00f3n inesperada dada su obra anterior en pel\u00edculas como &#8220;Oldboy&#8221;, resulta ser un golpe de genialidad. El dise\u00f1o de producci\u00f3n, liderado por Nathan Crowley (conocido por las pel\u00edculas de Nolan) y la direcci\u00f3n de arte de Tom Brown (asociado a &#8220;Dune&#8221;), muestran la habilidad de Paul King para reunir un equipo estelar tanto detr\u00e1s como delante de la c\u00e1mara.<\/p>\n\n\n\n<p>&#8220;Wonka&#8221; puede no resonar con los fan\u00e1ticos m\u00e1s ac\u00e9rrimos, ya que presenta una faceta diferente del ic\u00f3nico personaje que conocen. Adem\u00e1s, su n\u00facleo musical podr\u00eda representar un desaf\u00edo para algunos p\u00fablicos. Sin embargo, para otros, esta pel\u00edcula est\u00e1 destinada a convertirse en otro cl\u00e1sico\u2014una adici\u00f3n perfecta a la programaci\u00f3n de la temporada navide\u00f1a.<\/p>\n\n\n\n<p>Al reflexionar sobre las diversas representaciones de Willy Wonka, &#8220;Wonka&#8221; a\u00f1ade una capa refrescante al legado del personaje.<\/p>\n\n\n\n<p>\u00bfQu\u00e9 opinas: \u00bfqui\u00e9n interpret\u00f3 mejor a Willy Wonka?<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Wonka | Trailer #2\" width=\"1599\" height=\"899\" src=\"https:\/\/www.youtube.com\/embed\/wYmtRhKvmVE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n","protected":false,"raw":"<!-- wp:paragraph {\"fontSize\":\"large\"} -->\n<p class=\"has-large-font-size\"><strong>\"Wonka\" (2023)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:ideabox\/star-rating {\"rating\":4.5,\"size\":21.5,\"iconSpaceRight\":6,\"title\":\"\",\"titileSpaceRight\":1} -->\n<div class=\"wp-block-ideabox-star-rating ib-star-rating-block\"><div class=\"ib-star-rating--title\" style=\"color:#000;margin-right:1px\"><\/div><div class=\"ib-star-rating--icon\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star-half-alt\" class=\"svg-inline--fa fa-star-half-alt fa-w-17 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 536 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M508.55 171.51L362.18 150.2 296.77 17.81C290.89 5.98 279.42 0 267.95 0c-11.4 0-22.79 5.9-28.69 17.81l-65.43 132.38-146.38 21.29c-26.25 3.8-36.77 36.09-17.74 54.59l105.89 103-25.06 145.48C86.98 495.33 103.57 512 122.15 512c4.93 0 10-1.17 14.87-3.75l130.95-68.68 130.94 68.7c4.86 2.55 9.92 3.71 14.83 3.71 18.6 0 35.22-16.61 31.66-37.4l-25.03-145.49 105.91-102.98c19.04-18.5 8.52-50.8-17.73-54.6zm-121.74 123.2l-18.12 17.62 4.28 24.88 19.52 113.45-102.13-53.59-22.38-11.74.03-317.19 51.03 103.29 11.18 22.63 25.01 3.64 114.23 16.63-82.65 80.38z\"><\/path><\/svg><\/div><\/div>\n<!-- \/wp:ideabox\/star-rating -->\n\n<!-- wp:paragraph -->\n<p><br>Cuando escuch\u00e9 por primera vez sobre la idea de una precuela de \"Charlie y la F\u00e1brica de Chocolate\", adentr\u00e1ndose en los primeros a\u00f1os de Willy Wonka, estaba esc\u00e9ptico. Los flashbacks en la versi\u00f3n de Tim Burton dejaron un sabor amargo, y la idea de volver al pasado de Wonka no me convenc\u00eda. Sin embargo, mi perspectiva dio un giro completo cuando Paul King, el genio detr\u00e1s de Paddington 1 y 2, entr\u00f3 en escena.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Timoth\u00e9e Chalamet como protagonista levant\u00f3 una ceja para m\u00ed, y los tr\u00e1ilers parec\u00edan confirmar mis dudas. Sin embargo, al salir del cine, me encontr\u00e9 incr\u00e9dulo de cu\u00e1nto ador\u00e9 esta pel\u00edcula.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\"Wonka\" result\u00f3 ser una de las pel\u00edculas m\u00e1s agradables que he experimentado este a\u00f1o. Acepta la extra\u00f1eza del material de origen, h\u00e1bilmente mezclada con coraz\u00f3n\u2014la marca de la magia directorial de Paul King evidente en cada escena.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Chalamet, para su cr\u00e9dito, captur\u00f3 la esencia del personaje sin sumergirse en el territorio \"espeluznante\". Canaliza h\u00e1bilmente rasgos reminiscentes de la versi\u00f3n de Gene Wilder, al tiempo que muestra un lado de Chalamet que nunca hab\u00edamos visto antes\u2014un cl\u00e1sico actor de Hollywood que canta, baila, hace chistes y provoca l\u00e1grimas genuinas en la audiencia. Esto es un paso extremo fuera de su zona de confort, especialmente cuando sus pel\u00edculas recientes como Beautiful Boy y Bones and All son completamente opuestas en cuanto a g\u00e9nero y tema.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>La qu\u00edmica entre Chalamet y Calah Lane, quien interpreta a Noodle, destaca como un punto alto. La pel\u00edcula se centra m\u00e1s en su conexi\u00f3n que en c\u00f3mo Willy se convirti\u00f3 en Wonka, a diferencia de lo que nos hizo creer el marketing.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>El elenco de apoyo ofrece actuaciones excepcionales, poniendo sus almas en la pel\u00edcula. Hugh Grant, a pesar del tiempo limitado en pantalla, roba cada escena, haciendo que incluso los cr\u00e9ditos finales valgan la pena. Aunque la representaci\u00f3n visual de los Oompa Loompas puede no ser del gusto de todos, la energ\u00eda contagiosa de Grant eclipsa cualquier reserva inicial.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>T\u00e9cnicamente, la pel\u00edcula es una obra de arte. La cinematograf\u00eda de Jeong Jeong-hun, inicialmente una elecci\u00f3n inesperada dada su obra anterior en pel\u00edculas como \"Oldboy\", resulta ser un golpe de genialidad. El dise\u00f1o de producci\u00f3n, liderado por Nathan Crowley (conocido por las pel\u00edculas de Nolan) y la direcci\u00f3n de arte de Tom Brown (asociado a \"Dune\"), muestran la habilidad de Paul King para reunir un equipo estelar tanto detr\u00e1s como delante de la c\u00e1mara.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\"Wonka\" puede no resonar con los fan\u00e1ticos m\u00e1s ac\u00e9rrimos, ya que presenta una faceta diferente del ic\u00f3nico personaje que conocen. Adem\u00e1s, su n\u00facleo musical podr\u00eda representar un desaf\u00edo para algunos p\u00fablicos. Sin embargo, para otros, esta pel\u00edcula est\u00e1 destinada a convertirse en otro cl\u00e1sico\u2014una adici\u00f3n perfecta a la programaci\u00f3n de la temporada navide\u00f1a.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Al reflexionar sobre las diversas representaciones de Willy Wonka, \"Wonka\" a\u00f1ade una capa refrescante al legado del personaje.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u00bfQu\u00e9 opinas: \u00bfqui\u00e9n interpret\u00f3 mejor a Willy Wonka?<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\",\"type\":\"video\",\"providerNameSlug\":\"youtube\",\"responsive\":true,\"className\":\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"} -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\n<\/div><\/figure>\n<!-- \/wp:embed -->"},"excerpt":{"rendered":"","protected":false,"raw":""},"author":3,"featured_media":1137,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","_en_post_content":"<!-- wp:paragraph {\"fontSize\":\"large\"} -->\n<p class=\"has-large-font-size\"><strong>\"Wonka\" (2023)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:ideabox\/star-rating {\"rating\":4.5,\"size\":21.5,\"iconSpaceRight\":6,\"title\":\"\",\"titileSpaceRight\":1} -->\n<div class=\"wp-block-ideabox-star-rating ib-star-rating-block\"><div class=\"ib-star-rating--title\" style=\"color:#000;margin-right:1px\"><\/div><div class=\"ib-star-rating--icon\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star-half-alt\" class=\"svg-inline--fa fa-star-half-alt fa-w-17 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 536 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M508.55 171.51L362.18 150.2 296.77 17.81C290.89 5.98 279.42 0 267.95 0c-11.4 0-22.79 5.9-28.69 17.81l-65.43 132.38-146.38 21.29c-26.25 3.8-36.77 36.09-17.74 54.59l105.89 103-25.06 145.48C86.98 495.33 103.57 512 122.15 512c4.93 0 10-1.17 14.87-3.75l130.95-68.68 130.94 68.7c4.86 2.55 9.92 3.71 14.83 3.71 18.6 0 35.22-16.61 31.66-37.4l-25.03-145.49 105.91-102.98c19.04-18.5 8.52-50.8-17.73-54.6zm-121.74 123.2l-18.12 17.62 4.28 24.88 19.52 113.45-102.13-53.59-22.38-11.74.03-317.19 51.03 103.29 11.18 22.63 25.01 3.64 114.23 16.63-82.65 80.38z\"><\/path><\/svg><\/div><\/div>\n<!-- \/wp:ideabox\/star-rating -->\n\n<!-- wp:paragraph -->\n<p>When I first heard about the idea of a prequel to \"Charlie and the Chocolate Factory,\" delving into the early years of Willy Wonka, I was skeptical. The flashbacks in Tim Burton's version had left a sour taste, and the thought of revisiting Wonka's past didn't sit well with me. However, my perspective took a complete 180 when <a href=\"https:\/\/letterboxd.com\/director\/paul-king\/\" data-type=\"link\" data-id=\"https:\/\/letterboxd.com\/director\/paul-king\/\">Paul King<\/a>, the genius behind <a href=\"https:\/\/letterboxd.com\/film\/paddington\/\" data-type=\"link\" data-id=\"https:\/\/letterboxd.com\/film\/paddington\/\">Paddington<\/a> 1 &amp; 2, stepped into the picture.\u2800<br>\u2800<br><a href=\"https:\/\/letterboxd.com\/actor\/timothee-chalamet\/\" data-type=\"link\" data-id=\"https:\/\/letterboxd.com\/actor\/timothee-chalamet\/\">Timoth\u00e9e Chalamet<\/a> as the lead raised an eyebrow for me, and the trailers seemed to confirm my doubts. Yet, as I walked out of the cinema, I found myself in disbelief at how much I adored this movie.\u2800<br>\u2800<br>\"<a href=\"https:\/\/letterboxd.com\/film\/wonka\/\" data-type=\"link\" data-id=\"https:\/\/letterboxd.com\/film\/wonka\/\">Wonka<\/a>\" turned out to be one of the most enjoyable films I've experienced this year. It embraces the weirdness of the source material, skillfully blended with heart\u2014the hallmark of Paul King's directorial magic evident in every scene.\u2800<br>\u2800<br>Chalamet, to his credit, grasped the essence of the character without diving into the \"creepy\" territory. He skillfully channels traits reminiscent of Gene Wilder's version while showcasing a side of Chalamet we've never seen before\u2014a classic Hollywood actor who sings, dances, cracks jokes, and evokes genuine tears from the audience. This is an extreme step outside of his box, especially when his recent films like <a href=\"http:\/\/unyolo.com\/beautiful-boy\/\" data-type=\"post\" data-id=\"778\">Beautiful Boy<\/a> and <a href=\"http:\/\/unyolo.com\/bones-and-all-review\/\" data-type=\"post\" data-id=\"548\">Bones and All<\/a> are completely opposite in terms of genre and theme.\u2800<br>\u2800<br>The chemistry between Chalamet and Calah Lane, who plays Noodle, stands out as a highlight. The film focuses more on their connection than on how Willy became Wonka, contrary to what the marketing led us to believe.\u2800<br>\u2800<br>The ensemble cast delivers outstanding performances, pouring their souls into the movie. <a href=\"https:\/\/letterboxd.com\/actor\/hugh-grant\/\" data-type=\"link\" data-id=\"https:\/\/letterboxd.com\/actor\/hugh-grant\/\">Hugh Grant<\/a>, despite limited screen time, steals every scene, making even the credit roll a worthwhile sit. Even though the visual portrayal of the Oompa Loompas might not be everyone's cup of tea, Grant's infectious energy overshadows any initial reservations<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Technically, the film is a work of art. Jeong Jeong-hun's cinematography, initially an unexpected choice given his previous work on films like \"Oldboy,\" proves to be a stroke of genius. The production design, led by Nathan Crowley (known for Nolan's movies) and art direction by Tom Brown (associated with \"Dune\"), showcases Paul King's knack for assembling a stellar team both behind and in front of the camera.\u2800<br>\u2800<br>\"Wonka\" may not resonate with hardcore fans, as it presents a different facet of the iconic character they know. Additionally, its musical core might pose a challenge for some audiences. However, for others, this film is destined to become another classic\u2014a perfect addition to the holiday season lineup.\u2800<br>\u2800<br>As we reflect on Willy Wonka's various portrayals, \"Wonka\" adds a refreshing layer to the character's legacy.\u2800<br>\u2800<br>Who do you think played Willy Wonka the best?<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\",\"type\":\"video\",\"providerNameSlug\":\"youtube\",\"responsive\":true,\"className\":\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"} -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\n<\/div><\/figure>\n<!-- \/wp:embed -->","_en_post_name":"wonka","_en_post_excerpt":"","_en_post_title":"\"Wonka\"","_pt_post_content":"<!-- wp:paragraph {\"fontSize\":\"large\"} -->\n<p class=\"has-large-font-size\"><strong>\"Wonka\" (2023)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:ideabox\/star-rating {\"rating\":4.5,\"size\":21.5,\"iconSpaceRight\":6,\"title\":\"\",\"titileSpaceRight\":1} -->\n<div class=\"wp-block-ideabox-star-rating ib-star-rating-block\"><div class=\"ib-star-rating--title\" style=\"color:#000;margin-right:1px\"><\/div><div class=\"ib-star-rating--icon\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star-half-alt\" class=\"svg-inline--fa fa-star-half-alt fa-w-17 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 536 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M508.55 171.51L362.18 150.2 296.77 17.81C290.89 5.98 279.42 0 267.95 0c-11.4 0-22.79 5.9-28.69 17.81l-65.43 132.38-146.38 21.29c-26.25 3.8-36.77 36.09-17.74 54.59l105.89 103-25.06 145.48C86.98 495.33 103.57 512 122.15 512c4.93 0 10-1.17 14.87-3.75l130.95-68.68 130.94 68.7c4.86 2.55 9.92 3.71 14.83 3.71 18.6 0 35.22-16.61 31.66-37.4l-25.03-145.49 105.91-102.98c19.04-18.5 8.52-50.8-17.73-54.6zm-121.74 123.2l-18.12 17.62 4.28 24.88 19.52 113.45-102.13-53.59-22.38-11.74.03-317.19 51.03 103.29 11.18 22.63 25.01 3.64 114.23 16.63-82.65 80.38z\"><\/path><\/svg><\/div><\/div>\n<!-- \/wp:ideabox\/star-rating -->\n\n<!-- wp:paragraph -->\n<p>Quando ouvi pela primeira vez sobre a ideia de um prel\u00fadio para \"Charlie e a F\u00e1brica de Chocolate\", explorando os primeiros anos de Willy Wonka, fiquei c\u00e9tico. Os flashbacks na vers\u00e3o de Tim Burton deixaram um gosto amargo, e a ideia de revisitar o passado de Wonka n\u00e3o me agradava. No entanto, minha perspectiva deu uma volta de 180 graus quando Paul King, o g\u00eanio por tr\u00e1s de Paddington 1 &amp; 2, entrou em cena.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Timoth\u00e9e Chalamet como protagonista levantou uma sobrancelha para mim, e os trailers pareciam confirmar minhas d\u00favidas. No entanto, ao sair do cinema, me vi incr\u00e9dulo com o quanto adorei este filme.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\"Wonka\" acabou sendo um dos filmes mais agrad\u00e1veis que experimentei este ano. Ele abra\u00e7a a estranheza do material de origem, habilmente mesclado com cora\u00e7\u00e3o\u2014o selo da magia direcional de Paul King evidente em cada cena.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Chalamet, para seu cr\u00e9dito, captou a ess\u00eancia do personagem sem mergulhar no territ\u00f3rio \"assustador\". Ele canaliza habilmente caracter\u00edsticas reminiscentes da vers\u00e3o de Gene Wilder, ao mesmo tempo em que mostra um lado de Chalamet que nunca vimos antes\u2014um ator cl\u00e1ssico de Hollywood que canta, dan\u00e7a, faz piadas e evoca l\u00e1grimas genu\u00ednas da plateia. Isso \u00e9 um passo extremo fora de sua zona de conforto, especialmente quando seus filmes recentes como Beautiful Boy e Bones and All s\u00e3o completamente opostos em termos de g\u00eanero e tema.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>A qu\u00edmica entre Chalamet e Calah Lane, que interpreta Noodle, destaca-se como um ponto alto. O filme foca mais na conex\u00e3o deles do que em como Willy se tornou Wonka, ao contr\u00e1rio do que o marketing nos fez acreditar.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>O elenco de apoio entrega performances excepcionais, colocando suas almas no filme. Hugh Grant, apesar do tempo limitado em tela, rouba cada cena, tornando at\u00e9 mesmo os cr\u00e9ditos finais uma espera que vale a pena. Mesmo que a representa\u00e7\u00e3o visual dos Oompa Loompas n\u00e3o seja do gosto de todos, a energia contagiante de Grant supera quaisquer reservas iniciais.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Tecnicamente, o filme \u00e9 uma obra de arte. A cinematografia de Jeong Jeong-hun, inicialmente uma escolha inesperada dada sua obra anterior em filmes como \"Oldboy\", prova ser um golpe de g\u00eanio. O design de produ\u00e7\u00e3o, liderado por Nathan Crowley (conhecido pelos filmes de Nolan) e a dire\u00e7\u00e3o de arte de Tom Brown (associado a \"Duna\"), mostram a habilidade de Paul King em reunir uma equipe estelar tanto atr\u00e1s quanto na frente da c\u00e2mera.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\"Wonka\" pode n\u00e3o ressoar com os f\u00e3s hardcore, pois apresenta uma faceta diferente do ic\u00f4nico personagem que conhecem. Al\u00e9m disso, seu n\u00facleo musical pode representar um desafio para alguns p\u00fablicos. No entanto, para outros, este filme est\u00e1 destinado a se tornar outro cl\u00e1ssico\u2014uma adi\u00e7\u00e3o perfeita \u00e0 programa\u00e7\u00e3o da temporada de f\u00e9rias.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Ao refletirmos sobre as v\u00e1rias representa\u00e7\u00f5es de Willy Wonka, \"Wonka\" acrescenta uma camada refrescante ao legado do personagem.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>O que voc\u00ea acha: quem interpretou melhor Willy Wonka?<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\",\"type\":\"video\",\"providerNameSlug\":\"youtube\",\"responsive\":true,\"className\":\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"} -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\n<\/div><\/figure>\n<!-- \/wp:embed -->","_pt_post_name":"","_pt_post_excerpt":"","_pt_post_title":"\"Wonka\"","_es_post_content":"<!-- wp:paragraph {\"fontSize\":\"large\"} -->\n<p class=\"has-large-font-size\"><strong>\"Wonka\" (2023)<\/strong><\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:ideabox\/star-rating {\"rating\":4.5,\"size\":21.5,\"iconSpaceRight\":6,\"title\":\"\",\"titileSpaceRight\":1} -->\n<div class=\"wp-block-ideabox-star-rating ib-star-rating-block\"><div class=\"ib-star-rating--title\" style=\"color:#000;margin-right:1px\"><\/div><div class=\"ib-star-rating--icon\"><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star\" class=\"svg-inline--fa fa-star fa-w-18 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 576 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M259.3 17.8L194 150.2 47.9 171.5c-26.2 3.8-36.7 36.1-17.7 54.6l105.7 103-25 145.5c-4.5 26.3 23.2 46 46.4 33.7L288 439.6l130.7 68.7c23.2 12.2 50.9-7.4 46.4-33.7l-25-145.5 105.7-103c19-18.5 8.5-50.8-17.7-54.6L382 150.2 316.7 17.8c-11.7-23.6-45.6-23.9-57.4 0z\"><\/path><\/svg><svg aria-hidden=\"true\" focusable=\"false\" data-prefix=\"fas\" data-icon=\"star-half-alt\" class=\"svg-inline--fa fa-star-half-alt fa-w-17 \" role=\"img\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 536 512\" style=\"font-size:21.5px;margin-right:6px\" color=\"#f0ad4e\"><path fill=\"currentColor\" d=\"M508.55 171.51L362.18 150.2 296.77 17.81C290.89 5.98 279.42 0 267.95 0c-11.4 0-22.79 5.9-28.69 17.81l-65.43 132.38-146.38 21.29c-26.25 3.8-36.77 36.09-17.74 54.59l105.89 103-25.06 145.48C86.98 495.33 103.57 512 122.15 512c4.93 0 10-1.17 14.87-3.75l130.95-68.68 130.94 68.7c4.86 2.55 9.92 3.71 14.83 3.71 18.6 0 35.22-16.61 31.66-37.4l-25.03-145.49 105.91-102.98c19.04-18.5 8.52-50.8-17.73-54.6zm-121.74 123.2l-18.12 17.62 4.28 24.88 19.52 113.45-102.13-53.59-22.38-11.74.03-317.19 51.03 103.29 11.18 22.63 25.01 3.64 114.23 16.63-82.65 80.38z\"><\/path><\/svg><\/div><\/div>\n<!-- \/wp:ideabox\/star-rating -->\n\n<!-- wp:paragraph -->\n<p><br>Cuando escuch\u00e9 por primera vez sobre la idea de una precuela de \"Charlie y la F\u00e1brica de Chocolate\", adentr\u00e1ndose en los primeros a\u00f1os de Willy Wonka, estaba esc\u00e9ptico. Los flashbacks en la versi\u00f3n de Tim Burton dejaron un sabor amargo, y la idea de volver al pasado de Wonka no me convenc\u00eda. Sin embargo, mi perspectiva dio un giro completo cuando Paul King, el genio detr\u00e1s de Paddington 1 y 2, entr\u00f3 en escena.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Timoth\u00e9e Chalamet como protagonista levant\u00f3 una ceja para m\u00ed, y los tr\u00e1ilers parec\u00edan confirmar mis dudas. Sin embargo, al salir del cine, me encontr\u00e9 incr\u00e9dulo de cu\u00e1nto ador\u00e9 esta pel\u00edcula.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\"Wonka\" result\u00f3 ser una de las pel\u00edculas m\u00e1s agradables que he experimentado este a\u00f1o. Acepta la extra\u00f1eza del material de origen, h\u00e1bilmente mezclada con coraz\u00f3n\u2014la marca de la magia directorial de Paul King evidente en cada escena.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Chalamet, para su cr\u00e9dito, captur\u00f3 la esencia del personaje sin sumergirse en el territorio \"espeluznante\". Canaliza h\u00e1bilmente rasgos reminiscentes de la versi\u00f3n de Gene Wilder, al tiempo que muestra un lado de Chalamet que nunca hab\u00edamos visto antes\u2014un cl\u00e1sico actor de Hollywood que canta, baila, hace chistes y provoca l\u00e1grimas genuinas en la audiencia. Esto es un paso extremo fuera de su zona de confort, especialmente cuando sus pel\u00edculas recientes como Beautiful Boy y Bones and All son completamente opuestas en cuanto a g\u00e9nero y tema.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>La qu\u00edmica entre Chalamet y Calah Lane, quien interpreta a Noodle, destaca como un punto alto. La pel\u00edcula se centra m\u00e1s en su conexi\u00f3n que en c\u00f3mo Willy se convirti\u00f3 en Wonka, a diferencia de lo que nos hizo creer el marketing.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>El elenco de apoyo ofrece actuaciones excepcionales, poniendo sus almas en la pel\u00edcula. Hugh Grant, a pesar del tiempo limitado en pantalla, roba cada escena, haciendo que incluso los cr\u00e9ditos finales valgan la pena. Aunque la representaci\u00f3n visual de los Oompa Loompas puede no ser del gusto de todos, la energ\u00eda contagiosa de Grant eclipsa cualquier reserva inicial.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>T\u00e9cnicamente, la pel\u00edcula es una obra de arte. La cinematograf\u00eda de Jeong Jeong-hun, inicialmente una elecci\u00f3n inesperada dada su obra anterior en pel\u00edculas como \"Oldboy\", resulta ser un golpe de genialidad. El dise\u00f1o de producci\u00f3n, liderado por Nathan Crowley (conocido por las pel\u00edculas de Nolan) y la direcci\u00f3n de arte de Tom Brown (asociado a \"Dune\"), muestran la habilidad de Paul King para reunir un equipo estelar tanto detr\u00e1s como delante de la c\u00e1mara.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\"Wonka\" puede no resonar con los fan\u00e1ticos m\u00e1s ac\u00e9rrimos, ya que presenta una faceta diferente del ic\u00f3nico personaje que conocen. Adem\u00e1s, su n\u00facleo musical podr\u00eda representar un desaf\u00edo para algunos p\u00fablicos. Sin embargo, para otros, esta pel\u00edcula est\u00e1 destinada a convertirse en otro cl\u00e1sico\u2014una adici\u00f3n perfecta a la programaci\u00f3n de la temporada navide\u00f1a.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>Al reflexionar sobre las diversas representaciones de Willy Wonka, \"Wonka\" a\u00f1ade una capa refrescante al legado del personaje.<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>\u00bfQu\u00e9 opinas: \u00bfqui\u00e9n interpret\u00f3 mejor a Willy Wonka?<\/p>\n<!-- \/wp:paragraph -->\n\n<!-- wp:embed {\"url\":\"https:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\",\"type\":\"video\",\"providerNameSlug\":\"youtube\",\"responsive\":true,\"className\":\"wp-embed-aspect-16-9 wp-has-aspect-ratio\"} -->\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\nhttps:\/\/youtu.be\/wYmtRhKvmVE?si=T-380ZTuZXS6zuW8\n<\/div><\/figure>\n<!-- \/wp:embed -->","_es_post_name":"","_es_post_excerpt":"","_es_post_title":"\"Wonka\"","edit_language":"es","footnotes":""},"categories":[20,18],"tags":[515,47,55,36,56,51,516,513,514],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/unyolo.com\/wp-content\/uploads\/2023\/12\/HD-wallpaper-wonka-movie-2023-timothee.jpg","_links":{"self":[{"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/posts\/1136"}],"collection":[{"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/comments?post=1136"}],"version-history":[{"count":1,"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/posts\/1136\/revisions"}],"predecessor-version":[{"id":1139,"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/posts\/1136\/revisions\/1139"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/media\/1137"}],"wp:attachment":[{"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/media?parent=1136"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/categories?post=1136"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/unyolo.com\/es\/wp-json\/wp\/v2\/tags?post=1136"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}